If the name of the place doesn’t give it away, maybe the interior will clue you in. A Soviet flag hangs over the bar. If I was able to get a closer look at the black and white photos and yellowed articles nailed to the blood-red walls, I’m sure I would’ve seen Lenin or Stalin.
But aside from being a Commie bar, KGB is a writer’s hang, which is why Soft Skull Press was holding a reading there. I kind of dug it. It was warm, but not soupy. Candles flickered behind stained glass cabinets. The hum of conversation was low enough for the writers to write. You could single them out with a sickle and hammer, because they either scrawled in their notebooks or leafed what looked like manuscripts. A group of guys sat in the middle of the bar having deep discussions, wearing torn sweaters because they hadn’t graduated to tweed and elbow patches yet.
The bar is cash-only. So as I walked down the steps of the second floor establishment, searching for an ATM, wondering whether there might be a bar somewhere in Russia named “CIA”, I nearly tripped over a pint-sized red headed girl talking to people on the sidewalk.
This I later learned was Jillian Weise, the featured author of the evening. But first two other poets were invited to read their works. The themes of Brenda Shaughnessy’s poems were seasons, relationships (”like having a bad boyfriend in a good band” was a notable line, and “But I refuse to say poor me, poor me/because I am not poor, and I am not me”), and of all things, sugar. Except for when she dropped a C-bomb, her lyrical poems flowed nicely. Priscilla Becker read a group of poems she’d resurrected after tossing them in the trash, and she referred to them as her “Death by” series (”Death by appleseed…Death by clarinet…”). They would have been a little more enjoyable to hear if she did not stop mid-verse to muse aloud that this particular group of poems was terrible.
Then Richard Eoin Nash, the publisher of Soft Skull Press, introduced Weise, the author of “The Amputee’s Guide to Sex.” The first poem was instructional, a list of steps to take if you ever find yourself in a fore-play situation without clothes and without a limb: how to divert your partner’s attention so you can remove your prosthetic, how to stash your prosthetic, how to stay mobile. Really, things that two legged people don’t ever have to think about, but what probably seems like a natural thought process for Weise (”I met a guy/he has two legs”). One of the poems, about a relationship (”We have affairs/we are in love”) makes you consider not only sexual activity for an amputee but also the dating scene, which I like to complain about with all my arms, legs, and appendages intact. The next two poems were also from the “Amputee’s Guide” and Weise concluded the reading with a few newer works.
If Weise’s tinny voice was an octave higher, or her tone ebullient, as if to suggest that despite her prosthetic and any possible rejection or dejection she’s just so cheeky about the whole darn thing, she would’ve fallen into the rabbit hole of self-deprecation that many authors feel pushed into with chick lit. But she read clearly and dispassionately, while showing a sense of humor, and was likeable.
You can learn more about Weise’s book on Soft Skull Press’s website, and if you’re a writer, or want to be, KGB is worth checking out. One last note about the bar: they charge $7-$8 dollars for a drink, which is to be expected, but it seems more capitalistic than socialist if you ask me.